Review: ‘Living With Clay’ means what it says, bed, table and all

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Lives on the line: How the art of Danica Phelps takes on environmental and humanitarian dimensions

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Review: For war (and antiwar) photographer Don McCullin, a focus on humanity in an inhumane world

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Review: Humor and human clay meld in ‘The Incongruous Body’ at AMOCA

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When the cover of a book becomes postcard art: Captivating messages in surprising packages

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A photographer’s remarkable, bittersweet diary of his daughter’s life, MRI and all

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Review: Ethan Cook’s paintings are not paintings. Or are they?

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The disturbing meets the sweet in Alex Anderson’s new sculptures at Gavlak

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This Candy Store wasn’t a candy store: Remembering a California gallery that made art stars

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In Shinique Smith’s ‘Refuge,’ bits of past make for a compelling present

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Like song sampling as painting: Nathaniel Mary Quinn’s puzzle-like portraits of personhood

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Naked body parts, hair as sculpture: The strange, sinister, seductive art of Julie Curtiss

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Naked body parts, hair as sculpture: The strange, sinister, seductive art of Julie Curtiss

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Ceramic art, once written off as mere craft, wins a brighter spotlight in the L.A. scene

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For artist Eleanore Mikus, a journey into the unknown

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Cut, folded, pasted: Photography takes a twist and turn in the Getty’s ‘Paper Play’

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Glitz, glamor, shine and sparkle: the dazzling photomontages of Fay Ray

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When is now? Now? Or now? For artist Robin Cameron, time is ultimate brain teaser

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