Listen: ‘Can You Ever Forgive Me?’ Director Marielle Heller Really Wanted to Avoid the ‘Sophomore Slump’

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Oscars: Trio at the Top in the Lead Actress Race

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‘Deadpool’ Creator Rob Liefeld: Why We Loved Stan Lee (Guest Column)

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Oscars: RBG Biopic ‘On the Basis of Sex’ Met With Mixed Reaction, But Zeitgeist Gives It a Boost

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Listen: Jason Reitman Explores the Unanswered Questions Posed by ‘The Front Runner’

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Oscars: Disney Makes Up for Lost Time With ‘Black Panther’

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Listen: Rami Malek Says On-Set ‘Bohemian Rhapsody’ Tensions Raised His Game

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Alfonso Cuarón Sets His Sights on a Major Oscar Record

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Listen: ‘BlacKkKlansman’ Director Spike Lee Tackles Everything From Global Warming to ‘Black Panther’

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Film Academy Reveals 25 Animated Features Submitted for 2018 Oscar Race

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‘Crime + Punishment,’ ‘Free Solo,’ ‘Minding the Gap’ Among 2018 IDA Documentary Nominees

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‘Free Solo’ Leads 2018 Critics’ Choice Documentary Awards Nominations

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‘Timeless, Timely and Necessary’: Barry Jenkins Brings ‘If Beale Street Could Talk’ Home to Harlem

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Listen: Damien Chazelle on ‘First Man’ and ‘Surreal’ Oscars EnvelopeGate

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Inaugural North Carolina-Staged Film Fest 919 to Open With Alfonso Cuarón’s ‘Roma’

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From Early Hit ‘Black Panther’ to Festival Faves ‘Green Book’ and ‘Roma,’ Oscar Race Finally Takes Shape

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Oscars: From ‘Beautiful Boy’ to ‘Ben Is Back,’ Rehab Dramas Aim for Empathy

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Academy Retreats on ‘Popular’ Oscar Category for Now

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Listen: Nicole Kidman on ‘Boy Erased,’ ‘Destroyer’ and a New Season of ‘Big Little Lies’

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Oscar Voters Are Sure to Go Gaga for Bradley Cooper’s ‘A Star Is Born’

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How Neil Armstrong Biopic ‘First Man’ Achieved Lift-Off

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