Review: Melissa McCarthy turns a malcontent into fascinating company in ‘Can You Ever Forgive Me?’

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Review: ‘The Sentence’ takes a personal and horrifying look at the effect of mandatory minimum prison sentences

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Review: Timothée Chalamet might be the male actor of his generation, and ‘Beautiful Boy’ is one reason why

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Critic’s Choice: Documentary ‘Moynihan’ shows they don’t make politicians like this anymore

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Review: Paul Greengrass’ riveting ’22 July’ explores what it takes to overcome an act of pure evil

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Review: ‘Garry Winogrand: All Things Are Photographable’ explores the artist who pushed his craft to its limits

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Review: ‘The Hate U Give’ powerfully uses the Young Adult genre to explore issues of race and social justice

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Review: Bradley Cooper sings, Lady Gaga acts, and their version of ‘A Star Is Born’ is a total knockout

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Review: Robert Redford lands another iconic role in comedic crime story ‘The Old Man & the Gun’

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Critic’s Choice: ‘Jane Fonda in Five Acts’ covers the life and career of the ever-evolving actress

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Review: Four British acting legends dish on their memorable careers in ‘Tea With the Dames’

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Review: ‘Free Solo’ is a documentary about a spectacular feat of climbing that is guaranteed to take your breath away.

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Review: Jean-Pierre Melville’s ‘When You Read This Letter’ may surprise even his most devoted fans

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Review: ‘Hale County This Morning, This Evening’ brings cinematic poetry to everyday life

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Review: Nicole Holofcener makes a welcome return in the sharp, disturbing ‘Land of Steady Habits’

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Critic’s Choice: ‘Sid Caesar: The Works’ reminds us who’s the real king of comedy

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Review: The beguiling ‘I Am Not a Witch’ is a wickedly smart satire about modern Africa

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Review: ’70s director Hal Ashby and his wonderful films are captured in the fascinating documentary ‘Hal’

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Review: ‘The Apparition’ investigates the strange phenomenon of Virgin Mary sightings

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