Review: Anna Kendrick and Blake Lively pair for the fun and kitschy ‘Simple Favor’

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Review: ‘Unbroken: Path to Redemption’ continues story of Louis Zamperini with a focus on faith

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Review: Lizzie Borden tale is methodical and measured to a fault

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Review: A newcomer, an Oscar winner and a true-life drug story fuel ‘White Boy Rick’

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Review: Shannon Purser bares her soul in Hughesian rom-com ‘Sierra Burgess Is a Loser’

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Review: Jennifer Garner revenge film ‘Peppermint’ thinks too small

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Review: Cobie Smulders plays a rocker on the edge in unusual romantic comedy ‘Alright Now’

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Review: NASCAR, faith and Afghanistan awkwardly collide in song-inspired ‘God Bless the Broken Road

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Review: Cute is just a cover for the hard-working guide dogs of ‘Pick of the Litter’

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Review: ‘Kin’ is a dark, hyper-violent tale of brothers that seems apt for dog days of summer

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Review: Frank Grillo, Bruce Willis headline standard issue actioner ‘Reprisal’

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Review: Lightweight robodog thriller ‘A.X.L.’ is retro fun

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Review: Rocker Harley Di Nardo writes, directs and stars in so-so meta-thriller ‘Dead Envy’

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Review: Hollywood satire ‘An L.A. Minute’ offends more than it bites

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Review: Melissa McCarthy can’t save ‘Happytime Murders’ from its same tired joke

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Review: Sexually charged, gender-twisting ‘The Wild Boys’ recalls early Todd Haynes

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Review: Animated adventure ‘Luis and the Aliens’ has a surprisingly sad heart

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Review: More rom than com, ‘To All the Boys I’ve Loved Before’ sweetly nails the complexity of teen emotion

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Review: Peter Berg and Mark Wahlberg pack action-thriller ‘Mile 22’ with maximum overkill

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Review: ‘Alpha’ is a tender action-adventure for dog lovers

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Review: Internet-generated ‘Slender Man’ is anything but scary

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