Review: John C. Reilly and Joaquin Phoenix play ‘The Sisters Brothers’ in a soulful, stirring comic western

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Review: Keira Knightley illuminates a writer’s awakening in the shrewd, witty ‘Colette’

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Critic’s Choice: Terrence Malick’s extended ‘Tree of Life’ branches out beautifully

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Review: ‘The House With a Clock in its Walls’ offers creaky, freaky haunted-mansion fun

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Alfonso Cuarón’s ‘Roma’ and other riches from Venice enthrall the Toronto International Film Festival

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Review: An excellent Emma Thompson raises the bar in ‘The Children Act’

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Review: Shane Black’s ‘The Predator’ is a snarky, gory reboot with some ugly baggage

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‘If Beale Street Could Talk’ wraps Toronto in a loving embrace, while ‘High Life’ and ‘First Man’ probe new frontiers

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At Toronto, Steve McQueen’s ‘Widows’ blurs genre and politics into a corrosive cocktail

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‘A Star Is Born,’ ‘Beautiful Boy’ bring stories of love and addiction to Toronto

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‘Outlaw King’ and ‘Non-Fiction’ bring winds of technological change to Toronto

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The terrifying ‘Hereditary’ demands and rewards close attention

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Review: ‘The Nun’ is a jumpy but minimally scary extension of ‘The Conjuring’ universe

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At 25, ‘The Joy Luck Club’ is still a captivating Hollywood movie about Asian American identity and, finally, it’s no longer the only one

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Review: ‘The Little Stranger’ is a 1940s English ghost story that finds the virtue in ambiguity

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Review: Regina Hall calls the shots in the terrific sports-bar comedy ‘Support the Girls’

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Review: John Cho endures every father’s worst nightmare in the innovative mystery-thriller ‘Searching’

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Critic’s Choice: Four Andrei Tarkovsky masterworks to screen at the Aero Theatre

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Ten years after it changed Hollywood, ‘The Dark Knight’ is back in theaters. Accept no substitutes

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Review: Two exceptional films, ‘Skate Kitchen’ and ‘Minding the Gap,’ find poetry and community in motion

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Review: ‘Madeline’s Madeline’ is an explosively creative portrait of a teenage actress

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