Important Movies For Troubled Times: Human Rights Film Festival Head Explains How to Program With Purpose

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Natalie Portman Wants to Produce a Vegan Cooking Show

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‘Sunday’s Illness’ Review: Netflix’s Brilliant Mother-Daughter Drama Is Like ‘Hereditary’ Without the Horror

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How Film Festival Changes in L.A. Could Impact Awards Season — IndieWire’s Movie Podcast (Screen Talk Episode 202)

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Africa’s Greatest Filmmaker Has Been Unavailable to Africans — Until Now

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TIFF and Sundance Will Boost Underrepresented Journalists, and Here’s How

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Brad Bird’s Movies, Ranked Worst to Best

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Trump’s Movie Trailer to Impress Kim Jong Un Isn’t Just Dumb, It’s a Bad Trailer — Analysis

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Ethan Hawke Says Movies Are ‘An Art Form That’s Been Completely Eaten by Business’

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Anthony Bourdain Was a Movie Buff Who Inspired Us — IndieWire’s Movie Podcast (Screen Talk Episode 201)

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Jim McKay on Directing ‘Realist Films About People of Color’ For 20 Years

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‘Hereditary’: The Year’s Scariest Movie Required Years to Make and Painful Experiences No One Will Discuss


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‘Jurassic World: Fallen Kingdom’ Review: Life Finds a Way, But Sometimes It Shouldn’t

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Anthony Bourdain on Asia Argento, His Favorite Movies, and Why Donald Trump Would Be a Terrible Dinner Companion

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‘Star Wars’ Faces Trouble, But These Indie Movies Are Doing Great Business — IndieWire’s Movie Podcast

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Starbucks Commissioned a Film About Bias Training That’s Risky and Essential — Watch

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Oscar Contenders From Cannes 2018, From Spike Lee to Hirokazu Kore-eda — IndieWire’s Movie Podcast

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Cannes 2018 Critics Survey: The Best Films, Directors, and One Big Palme d’Or Snub

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Cannes 2018: The 11 Best Movies of This Year’s Festival

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‘The Wild Pear Tree’ Review: Nuri Bilge Ceylan’s Funny, Touching Father-Son Bonding Tale Earns Its Three Hours — Cannes 2018

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