‘Colette’ Film Review: Keira Knightley Offers a Tasteful Look at a Rebellious Artist

‘The Land of Steady Habits’ Film Review: Nicole Holofcener Turns Her Sharp Eye Toward Masculine Identity Crises

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‘Where Hands Touch’ Film Review: Amandla Stenberg Packs Emotion in Earnest Holocaust Drama

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‘Operation Finale’ Film Review: Strong Ensemble Infuses Passion Into Conventional Retelling of Adolf Eichmann’s Capture

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‘Madeline’s Madeline’ Film Review: Experimental Psychodrama Dives Deep, Surfaces With a New Star

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‘The Miseducation of Cameron Post’ Film Review: Chloë Grace Moretz Plays a Rebellious Lesbian Teen

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‘Unfriended: Dark Web’ Film Review: Horror Sequel Tosses Together Cache of Clichés

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‘All About Nina’ Film Review: Mary Elizabeth Winstead Kills as a Stand-Up With Issues

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‘In a Relationship’ Film Review: Emma Roberts and Michael Angarano Try to Liven Up Underwritten Characters

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‘Love, Gilda’ Film Review: Gilda Radner Lives Again in Touching Documentary

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‘Where Is Kyra?’ Film Review: Michelle Pfeiffer Shines in Dark Indie Drama

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‘Boiled Angels: The Trial of Mike Diana’ Film Review: Neil Gaiman, George Romero and Others Reflect on Free Speech

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‘Golden Exits’ Film Review: Faithless Brooklynites Fall Apart in Alex Ross Perry’s Unfulfilling Indie Drama

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‘The Long Dumb Road’ Film Review: Buddy Comedy Travels Familiar Path, But the Company’s Great

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‘The Final Year’ Film Review: Obama Doc Reminds Us What a Difference a Few Months Make

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‘In Between’ Film Review: Compelling Drama Explores the Lives of Young Arab-Israeli Women

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‘Foxtrot’ Film Review: Israel’s Oscar Entry Doesn’t Dance Around the Complexities of War

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‘Last Flag Flying’ Review: Richard Linklater’s Vet Drama Stuck at Half-Mast

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All 20 Richard Linklater Movies Ranked, From Worst to Best (Photos)

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‘Novitiate’ Review: Melissa Leo Grounds a Visually Striking Study in Faith

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‘Human Flow’ Review: Ai Weiwei Turns a Compassionate Eye to Refugee Crisis

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