Ethan Hawke’s 13 Best Performances — IndieWire Critics Survey

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‘Blue Iguana’ Review: Sam Rockwell Stars in a Tedious Throwback to ’80s Crime Movies

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MoviePass Reminded Us How Much People Love Going to the Movies

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‘Mile 22’ Review: Mark Wahlberg and Peter Berg’s Wannabe ‘Sicario’ Is the Worst Movie of the Summer

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‘Memoir of War’ Review: Mélanie Thierry Is a Brilliant Marguerite Duras in Austere Portrait of Trying to Wait Out the Holocaust

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The Best Debut Movie Performances of All Time — IndieWire Critics Survey

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‘A Land Imagined’ Review: A Dreamy Neo-Noir that Unfolds Like a Singaporean ‘Chinatown’

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Josephine Decker Felt Like Her Movies Didn’t Matter, Until She Met the Teenager Who Would Star in Her Masterpiece

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‘A Family Tour’ Review: Dissident Chinese Director Ying Liang Delivers a Heartbreaking Drama About His Life in Exile — Locarno

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Jason Statham’s 7 Best Movie Roles, From ‘The Italian Job’ to ‘Crank’

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‘The Spy Gone North’ Review: Twisty Korean Spy Epic Boasts all the Confusion and Intrigue of a John Le Carré Novel

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Spike Lee’s 9 Best Movies — IndieWire Critics Survey

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‘One Cut of the Dead’ Review: The Best Zombie Comedy Since ‘Shaun of the Dead’ — Fantasia 2018

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‘Christopher Robin’ Review: Winnie the Pooh Is Better than Ever, but Ewan McGregor Only Gets in His Way

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‘Like Father’ Review: Kristen Bell and Kelsey Grammer Anchor a Strong Netflix Comedy Set on a Cruise Ship

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Has the ‘Mission: Impossible’ Series Earned Tom Cruise a Free Pass for His Private Life?

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‘Tokyo Vampire Hotel’ Review: Amazon and Sono Sion Team Up for a Gonzo Action Movie Set Inside a Vampire’s Vagina — Fantasia Fest

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‘Death of a Nation’ Review: Dinesh D’Souza’s Latest Right-Wing Propaganda Compares Donald Trump to Abraham Lincoln

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‘Cold Skin’ Review: Xavier Gens’ Latest Nightmare Offers an Icy Twist on ‘The Shape of Water’ — Fantasia Fest 2018

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‘Cam’ Review: A Brilliant Madeline Brewer Anchors a Lynchian Horror Movie About a Cam Girl in Crisis — Fantasia 2018

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