‘Making Montgomery Clift’ Film Review: Ebullient Doc Liberates Screen Icon from His Gloomy Reputation

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‘Hot to Trot’ Film Review: Same-Sex Ballroom Dancing Doc Has Two Left Feet

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‘We the Animals’ Film Review: Haunting Childhood Tale Earns Comparisons to Terence Malick

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‘Ideal Home’ Film Review: Paul Rudd and Steve Coogan Become Unlikely Dads, Hilariously

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‘Jurassic World: Fallen Kingdom’ Film Review: Dinos Return in a Sequel Drained of Suspense

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‘A Kid Like Jake’ Film Review: Claire Danes’ and Jim Parsons’ Parental Problems Push the Kid Offstage

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‘That Summer’ Film Review: Little Edie at Grey Gardens, Before ‘Grey Gardens’

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‘The Seagull’ Film Review: All-Star Cast Flourishes in Chekhov Adaptation

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‘Fourth Estate’ Review: Inside Look at NY Times Reveals Low-Level Dread During Trump WH

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‘The Rachel Divide’ Film Review: Rachel Dolezal Doc Is Non-Illuminating Clickbait

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‘Mapplethorpe’ Film Review: Matt Smith Brings the Controversial Photographer to Vivid Life

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‘Jonathan’ Film Review: Ansel Elgort’s a Dud Ringer in Tedious Twin Tale

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‘Diane’ Film Review: Mary Kay Place Is Spellbinding as a Woman Whose Life Has Slipped Away

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‘Back Roads’ Film Review: Alex Pettyfer’s Directorial Debut Follows a Twisty Path

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‘Blue Night’ Film Review: Sarah Jessica Parker Loses the Pitch in Lackluster Drama

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‘Rampage’ Film Review: Dwayne Johnson’s Monster Movie Collapses Like a Skyscraper

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‘Truth or Dare’ Film Review: Blumhouse College Horror Doesn’t Make the Grade

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‘Pacific Rim Uprising’ Film Review: Sequel Brings More Monsters and Robots, But No Fun

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‘1985’ Film Review: Retro AIDS Tale Earns Its Tears

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‘The Strangers: Prey at Night’ Film Review: Slasher Sequel Is Half a Good Horror Movie

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‘Three Identical Strangers’ Film Review: Documentary Follows Separated Triplets Down Some Tragic Life Paths

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