‘Halt and Catch Fire’: How Two Green Creators Blew Up Their ‘Mad Men of Tech’ Premise to Discover Something Special

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Sundance Announces Creative Fellowship to Support Self-Distribution of Fest Favorites, Including SXSW Winner ‘Thunder Road’

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‘Dear White People’ Creator Justin Simien’s New Horror Film Will Be a Tribute to Black Women and Shoot This Summer

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‘Twin Peaks’: Mark Frost Takes Us Inside the Four-Year Process of Writing a 500-Page Script Over Skype With David Lynch

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‘Black Mirror’: Meet the Only Person Charlie Brooker Trusts to Work on Every Episode

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‘The Staircase’ Director Has Given Up On Knowing if Michael Peterson Killed His Wife

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‘The Good Place’ Creator Michael Schur Forgets Nothing — Filmmaker Toolkit Podcast 55

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‘The Terror’ Creator on Building an Arctic Expedition on a Soundstage and His Decision Not to Return for Season 2

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American Documentary Launches Artist Emergency Fund to Assist Filmmakers Facing Hardship

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‘Kill All Others’: Dee Rees’ ‘Electric Dreams’ Episode Is a Masterclass in Science-Fiction World-Building

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Kanopy: The Free Netflix Alternative Adds 100 Classic Paramount Titles — Exclusive

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AFI and Fox Launch Two Cinematography Programs for Women

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‘Atlanta’: Lakeith Stanfield Didn’t Even Know Donald Glover Was Playing Teddy Perkins

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‘Solo’ Theater Projection Problems Leave Fans In The Dark, Enrage Industry Veterans

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‘Wormwood’: Errol Morris Used Every Tool of Cinema to Investigate a Real-Life Mystery

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The Best Cinematographers of the 21st Century, From Roger Deakins to Ellen Kuras

Paul Schrader On Writing ‘First Reformed’ and ‘Cracking Open the Audiences’ Skulls’ Like He Did in ‘Taxi Driver’

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From Lynch to Kiarostami to Ozu: See Where Your Favorite Directors Fall on Paul Schrader’s Chart of Non-Narrative Cinema

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‘The Rider’ Director Chloé Zhao Treats Non-Actors Like Pros: ‘Once Upon a Time, Our Greatest Actors Were Discovered’ – Podcast

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Sound Comes First: Inside David Lynch’s Bunker, Where He Started Creating the ‘Twin Peaks’ Sound Design Over 7 Years Ago

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Directing Isn’t About Controlling Everything, But Learning When to Let Go

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