David Poland Leaves Movie City News With Hopes of Working For ‘The Other Team’

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‘Sicario: Day of the Soldado’: Benicio Del Toro Says It’s Better Than The Doors’ First Album

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Oscar-Winner Kobe Bryant Denied Admission to Academy

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Jennifer Todd Beats Jason Blum in Academy Board Runoff

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How ‘Homeland’ Star Mandy Patinkin Found Inner Peace in Showtime’s Dark CIA Drama

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‘Gotti’ Star John Travolta Needs Serious Help: Career Watch

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Meet the Next Academy Board of Governors, From Alfred Molina to Susanne Bier

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Jacqueline Lyanga Exits as AFI Head Bob Gazzale Merges Festival Staffs to Streamline Costs — Exclusive

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‘The Looming Tower’: How Lawrence Wright’s 9/11 Mission Became Must-See Television

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Kevin Feige on the Future of Marvel: More Women, More Diversity, and More Sequels

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George Clooney AFI Tribute: Cate Blanchett, Laura Dern, and More Celebrate (and Tease) the Prankster Actor

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Toni Collette Is Explosive, but ‘Hereditary’ Is Horrific: How Genre Bias Can Kill Oscar Chances

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How David Fincher Nailed ‘Mindhunter,’ from Charlize Theron to Jonathan Groff

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A24 Delayed ‘Under the Silver Lake’ Until December — and It’s Another Smart, Radical Move for the Distributor

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2019 Oscars: Best Foreign Language Feature Predictions

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How ‘Howards End’ and ‘Little Women’ Producer Colin Callender Stays Ahead of the Premium TV Curve

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Cannes Film Festival 2018: Winners and Losers Inside the Perfect Storm

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‘Pope Francis: A Man of His Word’: Wim Wenders Grilled the Pontiff and Left Amazed

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Spike Lee on Cannes’ ‘BlacKkKlansman’ Fever, Working With Jordan Peele, and Trump’s Klan Connection

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With Spike Lee’s ‘BlacKkKlansman,’ Focus Features’ Strategy to Reinvent Its Roster Becomes Clear

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