‘Bohemian Rhapsody’ Film Review: Queen Bio Won’t Exactly Rock You

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‘Stan & Ollie’ Film Review: Steve Coogan and John C. Reilly Capture Laurel & Hardy Onstage and Off

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‘Can You Ever Forgive Me?’ Film Review: Melissa McCarthy Forges Strong Performance

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‘The Hate U Give’ Film Review: Teen Drama Unflinchingly Examines Racism

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‘Venom’ Film Review: Tom Hardy Gets Buried in CG Goo, as Does the Plot

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‘Assassination Nation’ Review: Verve Carries the Day in Scattershot Satire

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‘Smallfoot’ Film Review: Fun Ideas Get Buried Under Avalanche of Mediocrity

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Burt Reynolds Appreciation: A Classic Movie Star With a Modern Sense of Humor

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‘The Sisters Brothers’ Film Review: John C. Reilly and Joaquin Phoenix Saddle Up for an Extraordinary Western

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‘Suspiria’ Film Review: Luca Guadagnino’s Misguided Horror Remake Falls Flat

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‘The Ballad of Buster Scruggs’ Film Review: Coen Brothers Western Anthology Makes for an Uneven Binge

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‘A Star Is Born’ Film Review: Bradley Cooper and Lady Gaga Reinvigorate a Classic

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‘Non-Fiction’ Film Review: Olivier Assayas Comically Mourns the Death of Literature

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‘The Favourite’ Film Review: Emma Stone Plays an 18th Century Eve Harrington in a Twisted Historical Farce

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‘Roma’ Film Review: Alfonso Cuarón’s Intimate Epic Proves Less Is More

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‘First Man’ Film Review: Ryan Gosling and Damien Chazelle Slip the Surly Bonds of Earth

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‘Support the Girls’ Film Review: Regina Hall Uplifts Observant Workplace Comedy

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‘The Happytime Murders’ Film Review: Melissa McCarthy Valiantly Plays Along in One-Joke Comedy

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‘The Children Act’ Film Review: Emma Thompson Grapples with Conscience in Sluggish Legal Drama

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‘The Meg’ Film Review: Jason Statham Swims With Really, Really Big Sharks

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‘Christopher Robin’ Film Review: A.A. Milne’s Young Hero Has a Hundred-Acre Mid-Life Crisis

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