‘The Children Act’ Film Review: Emma Thompson Grapples with Conscience in Sluggish Legal Drama

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‘The Meg’ Film Review: Jason Statham Swims With Really, Really Big Sharks

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‘Christopher Robin’ Film Review: A.A. Milne’s Young Hero Has a Hundred-Acre Mid-Life Crisis

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‘Scotty and the Secret History of Hollywood’ Review: Sex Abounded in Hollywood’s Golden Age

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‘Teen Titans GO! to the Movies’ Film Review: TV Adaptation Sticks It to Big-Screen Superheroes

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‘Skyscraper’ Film Review: Dwayne Johnson Checks All the Boxes in a Satisfying Summer Thriller

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Tab Hunter Appreciation: A Star Who Survived Both the Studio System and Hollywood Homophobia

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‘Hotel Transylvania 3’ Film Review: Adam Sandler’s Groovy Ghoulies Take a Wacky Vacation

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‘Sorry to Bother You’ Film Review: Boots Riley’s Ambitious Debut Throws a Lot at the Wall

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‘Ant-Man and the Wasp’ Film Review: Paul Rudd’s Shrinking Hero Returns for Buzzier Sequel

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‘Hereditary’ Film Review: Family’s a Horror in Brilliant Indie Debut

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‘Ocean’s 8’ Film Review: Sandra Bullock and Her Female Crew Idle Amiably in Heist Farce

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‘Action Point’ Film Review: Johnny Knoxville Kicks Theme Parks in the Crotch

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‘First Reformed’ Film Review: Paul Schrader and Ethan Hawke Channel Robert Bresson

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‘Solo: A Star Wars Story’ Film Review: So-So Prequel Says Nothing New About Beloved Characters

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‘Deadpool 2’ Film Review: Ryan Reynolds Gives His All to a Joke Told the Second Time

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‘Tully’ Film Review: Charlize Theron Is a Real Mother in Bleakly Hilarious Parenthood Tale

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‘Avengers: Infinity War’ Film Review: Suppose They Gave an Infinity War and Everybody Came?

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‘Lean on Pete’ Review: Andrew Haigh’s Boy-and-His-Horse Tale Hits Hard

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‘Tyler Perry’s Acrimony’ Film Review: Taraji P. Henson Is Furious, But Is She Right?

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‘Ready Player One’ Film Review: Spielberg’s Weaponized Nostalgia Is an Exercise in Overkill

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