‘Dunkirk’ Sound Editor Richard King On Immersing An Audience In A Pivotal WWII Moment

READ ON: Deadline
Looking at
Christopher Nolan’s Dunkirk—or any film the director has made—one can imagine the difficulties the films must pose for his sound team. With images so epic and so spectacular, sound must follow suit, finding a way to equal what is seen on the screen—which is often remarkable, given Nolan’s preferred way of working, capturing as much in-camera as possible. Working with Nolan since The Prestige, sound editor Richard King has become well-acquainted with the demands…